Yakumo-nuri (Matsue Lacquerware with Polished-out Designs)

Yakumo-nuri (Matsue Lacquerware with Polished-out Designs)

Yakumo-nuri (Matsue Lacquerware with Polished-out Designs) 1

Yakumo-nuri is lacquerware that originated in Matsue City, Shimane Prefecture, in the Meiji era. Designs are painted with colored lacquer, aogai (thin pieces of shell) and gold and silver powder on a lacquer-coated base, then suki-urushi is applied over them in layers, polished out (togidashi) and burnished to finish. Suki-urushi is a transparent, amber-colored lacquer. Its transparency increases over the years, so the designs painted beneath gradually emerge in vivid color, which is said to be a feature not found in other production areas. It is said to have been devised by 坂田平一, a palanquin lacquerer of the Matsue domain. 籠手田安定, the governor of Shimane Prefecture, wanted to make it a specialty product of the prefecture and named it Yakumo-nuri after 'Yakumo tatsu', an ancient poem of Izumo. It was produced in large quantities from the Meiji era through the Showa era. Main products include flower vases, natsume (tea caddies), fubako (letter boxes), trays, bowls and mirrors. It is designated a Shimane Prefecture Furusato Traditional Craft and is currently made in Matsue City and Izumo City.

Origin

Yakumo-nuri is said to have been devised by 坂田平一, a lacquerer (nushi) born into a family of palanquin lacquerers retained by the Matsue domain. After the Meiji Restoration, craftspeople lost the domain's patronage and found it difficult to continue their work. 坂田平一 made lacquerware modeled on karamono lacquerware brought over from China, and through repeated refinement produced high-quality trays and zen (individual meal tables). The period of its invention varies by source: Shimane Prefecture materials say the early Meiji era, while Matsue City materials say around Meiji 10.

History

坂田平一's lacquerware caught the eye of 籠手田安定, the governor of Shimane Prefecture. According to Matsue City materials, around Meiji 20, 籠手田安定 named it 'Yakumo-nuri' to make it a specialty product of the prefecture. Afterward, a great deal of Yakumo-nuri was made through the Meiji, Taisho and Showa eras. Records show that around 1902, 62 production households and 123 workers were engaged in the craft in Matsue City and Hikawa District combined. In 1982, 島根県八雲塗振興会 (the Shimane Prefecture Yakumo-nuri promotion association) became a designated business for the prefecture's Furusato Traditional Craft, and workshops in Matsue and Izumo still carry on the techniques.

Features

The designs of Yakumo-nuri are painted with colored lacquer combined with aogai (decorative material made by thinly shaving seashells) and gold and silver powder. Because they are then coated over with suki-urushi and polished out, the pictures appear to sink deep into the layers of lacquer. As suki-urushi becomes more transparent with time, motifs such as flowers and plants, birds and dragons emerge more clearly the longer a piece is used. Besides tea ceremony utensils such as flower vases, natsume and fubako, mirrors, warigo vessels and small cases are also made today.

Techniques

Painting with colored lacquer

The process of painting designs with colored lacquer kneaded with pigments, aogai, and gold and silver powder on a surface that has received the middle and top coats and been polished. In Yakumo-nuri, this painting is sealed as it is beneath a layer of suki-urushi and determines the design of the finished piece.

Layering and polishing out suki-urushi

A technique in which natural suki-urushi is applied in layers over the painted designs, then polished and burnished. Because the amber-colored suki-urushi becomes more transparent over time, a piece that has aged for years shows its designs more vividly than one just completed.

Materials Used

Urushi lacquer (colored lacquer, suki-urushi)Aogai (shell)Gold powder, silver powderWooden base (kiji)

Production Process

  1. 1

    Shaping the base

    The base (kiji, the wooden core) of the vessel is shaped.

  2. 2

    Undercoating

    A foundation layer is applied to reinforce the base and level the surface.

  3. 3

    Middle coat, top coat and intermediate polishing

    Lacquer is applied in layers and polished to create a smooth surface that serves as the foundation for painting.

  4. 4

    Painting

    Designs are painted with colored lacquer, aogai, and gold and silver powder.

  5. 5

    Coating with kiji-ro lacquer

    Transparent lacquer is applied in layers over the designs.

  6. 6

    Roiro polishing, rubbing in lacquer and roiro burnishing

    The surface is polished to reveal the designs, then burnished while lacquer is rubbed in to bring out the luster.

Main Production Areas
  • Matsue City
  • Izumo City

Artisans & Workshops

八雲塗やま本(株式会社山本漆器店)

A Yakumo-nuri manufacturer and retailer at 45 末次本町, Matsue City. Shimane Prefecture materials list it as a Yakumo-nuri manufacturer under the name 株式会社山本漆器店. It serves as both a workshop and a gallery where visitors can watch craftspeople demonstrate their work, and it handles items such as ご縁鏡 (Goen mirrors), warigo sets and small cases.

Official site →

漆芸のわたなべ

A lacquer art shop at 1061 Hirata Town, Izumo City, listed in Shimane Prefecture materials as one of the Yakumo-nuri manufacturers. According to a 2024 article, the owner, 渡部直人, trained for 25 years at a Yakumo-nuri workshop before becoming independent in Hirata, and now focuses mainly on lacquer art works.

Official site →

How to Buy

八雲塗やま本 shop
Yakumo-nuri is displayed and sold at the shop in 末次本町, Matsue City. The official website introduces products such as ご縁鏡 (Goen mirrors), warigo sets and a three-tier vermilion-lacquered small case, and directs product inquiries to the main store. Prices are not listed on the official website.Where to buy →PR
島根県八雲塗振興会
A Yakumo-nuri promotion organization based at 191 殿町, Matsue City, and one of the designated businesses for the Shimane Prefecture Furusato Traditional Craft. Phone: 0852-22-5758. The 'しまねの伝統工芸' (Traditional Crafts of Shimane) page of Shimane Prefecture lists the contact details of the association and the manufacturers together.Where to buy →PR

Hands-on Experiences

八雲塗やま本 絵付体験

島根県松江市末次本町45

The official website has information on a painting experience, and travel information sites also introduce it as a shop where you can try making lacquerware. Neither lists fees or duration, so please contact the shop in advance.

View details →

FAQ

Q. Where does the name 'Yakumo' come from?

A. It is taken from 'Yakumo tatsu', a makurakotoba (poetic epithet) associated with Izumo. Shimane Prefecture materials explain that Yakumo-nuri was named after 'Yakumo tatsu', an ancient poem of Izumo. According to Matsue City materials, it was named by 籠手田安定, the governor of Shimane Prefecture around Meiji 20.

Q. Why do the designs on new Yakumo-nuri look slightly dull?

A. Because the suki-urushi layered over the designs is amber-tinged at first. Suki-urushi becomes more transparent year by year, so with continued use the designs beneath emerge in vivid color. This change over time is considered a major charm of Yakumo-nuri.

#Yakumo-nuri#Lacquerware#Suki-urushi#Togidashi#坂田平一#Matsue City